搜索 肯·雅各布斯

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  • Featuring interviews with the likes of Hitchcock, Kurosawa, Robert Bresson and David Lynch, What is Cinema? is documentarian Chuck Workman’s engrossing visual essay about mastery of cinematic form. Our world premiere will be followed by a …
  • "Incredible black and white abstract image manipulation from NY Avant Garde film legend Ken Jacobs, accompanied by John Zorn and Ikue Mori on laptop sounds. Completely uncompromising (and at first near-unwatchable until the eye adjusts to the relentless throbbing effect of the Nervous Magic Lantern improvising sys…
  • Ken Jacobs writes: "An antique stereograph image of cotton-pickers, computer-animated to present the scene in an active depth even to single-eyed viewers. Silent, mournful, brief."In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye …
  • 纪录片
    My film diaries 1970-1979: my marriage, children are born, you see them growing up. Footage of daily life, fragments of happiness and beauty, trips to France, Italy, Spain, Austria. Seasons of the year as they pass through New York. Friends, home life, nature, unending search for moments of beauty and celebration of li…
  • 一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯.梅卡斯以第一人稱的日記體,闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常,也在他方尋找自己的家,如同片中的自述:「我是攝影機的眼睛,我是見證者,我記錄了這一切。我不知道,我是在歌唱還是哭泣?」
  • 剧情片生活
    为响应国家“上大压小,节能减排”的号召,河南孟电集团董事长范清荣毅然决定炸掉多年来辛辛苦苦一手创办的价值十个亿的“小电厂”。为解决电厂炸毁后职工的工作安置问题,范清荣上下奔走;与此同时,炸掉旧电厂建立新厂又遇到了重重困难。
  • 有些人拍片无数,有些人也许只为那仅有的一部或几部电影而活着,孰轻孰重,孰对孰错,自然有人会明了。 这是来自美国实验电影大师肯.雅克布斯的6小时42分钟先锋纪录片巨作,《星光照亮死亡》据说是花了他近50年竭力创作的一部集大成之作,美国政治,种族,地下电影等等半个世纪的历史和发展均收录其中,1957年当雅克布斯还是一位青年独立电影人…
  • 86 min 肯•贾科布(Ken Jacob)的《汤姆,风笛手之子》(Tom, Tom the Piper's Son, 1969),采用重复拍摄的手法,将一部1905年美国幕镜拜奥公司的影片,减化为冻结的姿态和明暗光线的残余。
  • Reminiscences of a Journey to Lithuania de Jonas Mekas   États-Unis, 1972, 16mm, 82’, coul., vostf   musique : Konstantinas Ciurlionis   « Cette œuvre est composée de trois parties. La première est faite de films que j’ai tournés avec …
  • “A motion picture composed of brief diaristic scenes not used in completed films from the years 1960-2000; and self-referential video footage taped during the editing. Brief glimpses of family, friends, girl-friends, the City, seasons of t…