简介：在卡萨布兰卡港口的街道和受欢迎的酒吧周围，一群电影制片人与人们讨论他们对新兴的摩洛哥国家电影院的期望和期望。当一个心怀不满的工人意外杀死他的上司时，他们的审讯转移了注意力，并开始调查谋杀的背景和动机。《德奎克》的核心是对电影（和艺术）在社会、纪录片和现实中的作用的审问，以及对即将诞生的国家电影的紧迫性的构成。这一独特的电影体验被认为是在摩洛哥对言论自由的高度镇压之时，激进的电影制片人、演员、音乐家、诗人和记者的独立和集体努力，并由几位当代画家的画作销售提供资金。这部电影于1975年首次在巴黎放映，但立即受到审查，禁止展览和出口。直到2016年在Filmoteca de Catalunya的档案中发现了一张底片，并将其复原，人们才将其遗忘。影片完成45年后，将最终上映。Around the port’s streets and popular bars of Casablanca, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification is an interrogation on the role of cinema (and art) in society, documentary and the Real, and what constitutes an urgency for a national cinema that is being born. This unique filmic experience was conceived as an independent and collective effort of militant filmmakers, actors, musicians, poets and journalists at a time of heightened repression on freedom of expression in Morocco and was funded by the sale of paintings by several contemporary painters. The film was first screened in Paris in 1975 but was immediately taxed with censorship and forbidden from exhibition and export. It was forgotten until a negative print was found in the archives of the Filmoteca de Catalunya in 2016 and restored there. 45 years after its completion, the film will finally be released.
简介：在卡萨布兰卡港口的街道和受欢迎的酒吧周围，一群电影制片人与人们讨论他们对新兴的摩洛哥国家电影院的期望和期望。当一个心怀不满的工人意外杀死他的上司时，他们的审讯转移了注意力，并开始调查谋杀的背景和动机。《德奎克》的核心是对电影（和艺术）在社会、纪录片和现实中的作用的审问，以及对即将诞生的国家电影的紧迫性的构成。这一独特的电影体验被认为是在摩洛哥对言论自由的高度镇压之时，激进的电影制片人、演员、音乐家、诗人和记者的独立和集体努力，并由几位当代画家的画作销售提供资金。这部电影于1975年首次在巴黎放映，但立即受到审查，禁止展览和出口。直到2016年在Filmoteca de Catalunya的档案中发现了一张底片，并将其复原，人们才将其遗忘。影片完成45年后，将最终上映。Around the port’s streets and popular bars of Casablanca, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification is an interrogation on the role of cinema (and art) in society, documentary and the Real, and what constitutes an urgency for a national cinema that is being born. This unique filmic experience was conceived as an independent and collective effort of militant filmmakers, actors, musicians, poets and journalists at a time of heightened repression on freedom of expression in Morocco and was funded by the sale of paintings by several contemporary painters. The film was first screened in Paris in 1975 but was immediately taxed with censorship and forbidden from exhibition and export. It was forgotten until a negative print was found in the archives of the Filmoteca de Catalunya in 2016 and restored there. 45 years after its completion, the film will finally be released.
