简介：Antunes Filho‘s incursions into the audiovisual world, passing through his teletheaters and the film Compasso de Espera. In this exchange between languages, we understand the motivations and reflections of this theater maker and cinephile. Through archival materials, which reveal the cinema perceived and spoken by the director himself, we see how his passion for cinema interfer... (展开全部) Antunes Filho‘s incursions into the audiovisual world, passing through his teletheaters and the film Compasso de Espera. In this exchange between languages, we understand the motivations and reflections of this theater maker and cinephile. Through archival materials, which reveal the cinema perceived and spoken by the director himself, we see how his passion for cinema interfered in his aesthetics. 源自：etudoverdade.com.br/en/filme/51501-Antunes-Filho---do-Coracao-Para-o-Olho
简介：Antunes Filho‘s incursions into the audiovisual world, passing through his teletheaters and the film Compasso de Espera. In this exchange between languages, we understand the motivations and reflections of this theater maker and cinephile. Through archival materials, which reveal the cinema perceived and spoken by the director himself, we see how his passion for cinema interfer... (展开全部) Antunes Filho‘s incursions into the audiovisual world, passing through his teletheaters and the film Compasso de Espera. In this exchange between languages, we understand the motivations and reflections of this theater maker and cinephile. Through archival materials, which reveal the cinema perceived and spoken by the director himself, we see how his passion for cinema interfered in his aesthetics. 源自：etudoverdade.com.br/en/filme/51501-Antunes-Filho---do-Coracao-Para-o-Olho
